The nickel KMS 105 microphone from Neumann has been specifically developed to optimally and clearly transmit the human voice within the demanding conditions present on a live stage. The high acoustic resolution and smooth frequency response of the microphone ensure that the musician has control of their performance at all times.





The microphone is also ideal for use with in-ear monitoring systems due to its low self-noise and coloration-free crosstalk behavior, while the supercardioid characteristic of the capsule is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone.The MS-65CL Professional Mic Stand with Clutch Lock and Telescoping Boom Arm from Auray features sturdy, 1" steel tubes and a wide tripod base offering stability for live stage, theater, rehearsal, and recording studio applications. Mic height placement is simple and easy with the clutch lock, which allows you to adjust the height with one hand.





The telescoping boom angle and length are also adjustable with a single locking knob. This makes the MX-65CL stand not only suitable for performers on stage but ideal for miking guitar cabinets as well. This stand and boom arm's rigid stability and solid locking mechanism?when the boom is at full extension?works well in applications for drum overheads or miking the inside of an acoustic piano.The black, 25' Mogami Gold Studio XLR Female to XLR Male Microphone Cable is a high-quality, 4-conductor cable engineered for maximum rejection of RFI and EMI, accurate signal transmission with low noise, and durability. It uses the company's Neglex twisted, double-conductor quad cable with a spiral, bare copper shield, which is effective in maintaining signal integrity, even when used with unbalanced equipment, in professional or home studios suffering from wiring and grounding problems.





The cable is terminated with black-body, gold-plated XLR connectors, and features a 0.236" diameter jacket, ideal for applications where a small-diameter quad mic cable is required.The black Auray WHF Series Foam Windscreens are designed to reduce unwanted broadband wind noise and vocal pops with minimal high frequency loss.





This WHF-158 Foam Windscreen is designed for use with many common handheld microphones with a 1-5/8" diameter head. The density of the specialty acoustic foam is optimized to help protect the microphone element from air bursts without muffling the sound.





When used on a handheld microphone, this windscreen is effective in minimizing wind noise and plosive sounds. It is most effective in calm to light breeze conditions (0 to 7 mph) and can be used indoors for protection against drafts caused by air-conditioners. Users can generally expect a 4 to 8 dB reduction in wind noise with very slight dampening of high frequencies. For most applications, the very slight high-frequency dampening is a worthwhile exchange for the notable wind noise reduction.





The WHF-158's foam is hypoallergenic and washable and helps prevent moisture and dirt from damaging your microphone. The windscreen is designed to fit microphones from Shure, Electro-Voice, AKG, Audio-Technica, Audix, Beyerdynamic, Sennheiser, Neumann and others.





The WHF-158 Foam Windscreen for 1-5/8" Diameter Microphones is an effective solution for basic wind protection.